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dc.contributor.authorФинский, А. Н.ru
dc.coverage.spatialМинскru
dc.date.accessioned2018-06-27T06:35:16Z
dc.date.available2018-06-27T06:35:16Z
dc.date.issued2018
dc.identifier.citationФинский, А. Н. Роль скульптуры в формировании окружающей среды = The role of sculpture in the formation of the environment / А. Н. Финский // Архитектура : сборник научных трудов. – 2018. – Вып. 11. – С. 131-134.ru
dc.identifier.urihttps://rep.bntu.by/handle/data/42803
dc.description.abstractСтатья посвящается различным аспектам включения скульптуры в архитектурную среду, начиная с древнейших времен до настоящего времени. Рассматриваются основные тенденции взаимодействия современной пластики и города, поисков гармонии и диалога со зрителем.ru
dc.language.isoruru
dc.publisherБНТУru
dc.titleРоль скульптуры в формировании окружающей средыru
dc.title.alternativeThe role of sculpture in the formation of the environmenten
dc.typeArticleru
local.description.annotationIn the history of human civilisation, there are splendid examples of the synthesis of architecture and sculpture. The dramatic change of world view in the 19-20th centuries has also caused changes in the relationship of architecture and sculpture. The technical progress and the growing standardisation of life have led to the predominance of functional objectives in architecture. Minimalism and functionalism have deprived sculpture of its distinctive features which used to characterise it over the course of history. In a new city, the spiritual exchange between man and nature is disrupted, and separate elements only find unity in the mind of an individual. The appearance of urban sculpture is one of the attempts to re-establish the balance between architecture and sculpture which has been upset by the new social structure.en


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